Spanking Tails  vol.2 Not appropriate for children or adolescents. 64 pages of drawings along with another one on the inner front cover, both covers being themselves paintings. Unfortunately, six of the images are turned sideways. The aspect here is indeed spanking, with expansion into regions that neighbor that. The diversity & creativity on display here is certainly superior to that of a simple prurient photo book about the same subject. A number of the pieces are dressed with straight-fantasy elements. The artists that get 'well-presented' here are: Luis Buci (2), Julio Cesar (2), Alejandro Colucci (4), Pedro Cuevas (4), J.L. Czerniawski (4), Gonzalo Flores (3), Diego Florio (2), Danilo Guida (2), Pablo Kousovitis (2), Brian LeBlanc (4), Anibal Maraschi (2), Dave Nestler*, Federico Ossio (2), Joe Pekar (3), Joan Pelaez (5)**, Perla Pilucki (2), German Ponce (3), Abel Saidman (3), Armando Saldivar, Arantza Sestayo (5) and Marcelo Sosa (5). The narrow fetishism on display here is definitely going to raise uncomfortable questions from any minors that would chance upon it, so please avoid that and keep this put away. * Nestler's piece here, the cover, is better presented in his own collections. ** - Note that the 'well-presented' pieces here by Pelaez cannot additionally be found so in his own collection on The List. other collections of prurient interest SQP books Secret Identity - The Fetish Art Of Superman's Co-Creator Joe Shuster Men's Adventure Magazines In Postwar America Feral House's paperback cover art books Strange Sisters - The Art Of Lesbian Pulp Fiction 1949-1969 Graphic Thrills - American XXX Movie Posters 1970 to 1985 vols.1 & 2 Young Lusty Sluts - A Pictorial History Of Erotic Pulp Fiction Chronicle's paperback cover art collections True Crime Detective Magazines Baldazzini & Saudelli's Bizarreries Book 1 [BELOW THE LINE] Sex In The Comics [BELOW THE LINE] Other SQP collections Spellbound - Black Magic Women SEND US A COMMENT (goes via e-mail - all info kept anonymous, but comment itself may be shared . . .) |