Young Lusty Sluts - A Pictorial History Of Erotic Pulp Fiction
(2004 - Erotic Print Society) 
Not appropriate for children or adolescents. A 7-by-10 inch book of 153 pages, focusing on the raunchy paperbacks of the 1960s & 1970s with hundreds of associated cover-images. The volume certainly needs to be put away from minors, because almost all of the images are explicit or nearly so. All are captioned with an author's name, title, publication info and release year. Those captions include an artist's name if it's known - which is almost never. After the significant text (and one publisher's writer's style guide !) there's 63 pages that each feature an solo image and another 39 that have two-to-four cover-images gathered together. The artists getting 'well-presented' treatment look like: Robert Bonfils, Harry Bremner, Maurice Segan, Ed Silas Smith, and UNKNOWN (56).
other paperback cover art collections
The Art Of Romance - Mills & Boon And Harlequin Cover Designs
Breathless Homicidal Slime Mutants - The Art Of The Paperback
Feral House's paperback cover art books
The Look Of Love - The Art Of The Romance Novel
Strange Sisters - The Art Of Lesbian Pulp Fiction 1949-1969
Krause's paperback cover art collections
The Art Of Pulp Fiction - An Illustrated History Of Vintage Paperbacks
Chronicle's paperback cover art collections
Paperbacks, U.S.A. - A Graphic History, 1939-1959 [BELOW THE LINE]
Under Cover - An Illustrated History of American Mass Market Paperbacks [BELOW THE LINE]
other collections of prurient interest
SQP books
Secret Identity - The Fetish Art Of Superman's Co-Creator Joe Shuster
Men's Adventure Magazines In Postwar America
Feral House's paperback cover art books
Strange Sisters - The Art Of Lesbian Pulp Fiction 1949-1969
Graphic Thrills - American XXX Movie Posters 1970 to 1985 vols.1 & 2
Chronicle's paperback cover art collections
True Crime Detective Magazines
The Art Of Eric Stanton - For The Man Who Knows His Place
Baldazzini & Saudelli's Bizarreries Book 1 [BELOW THE LINE]
Sex In The Comics [BELOW THE LINE]
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